Blingy Butterfly Gets The Royal Treatment

Now that the jewelry-barren landscape that was New York Fashion Week is behind me, it's time to get back to blingy basics. And there's no better way to celebrate than by ogling this bodacious butterfly bauble that just joined the storied coffers of the Smithsonian Institution.

Designed by Cindy Chao, the "Royal Butterfly" is a three-dimensional diamond-and gemstone-studded brooch that took over two years to create. The design is balanced by four large rough diamond slices and includes more than 20 color gradients comprised of 2,318 colorless and colored diamonds, color-changing sapphires, colored sapphires, rubies and tsavorites.

Color-changing sapphires? Awesome.


Chao generously gifted her "Royal Butterfly" to the Smithsonian, which now lives with some of the world's most significant jewels, including the famous Hope Diamond.

The designer's 'hope' was not only for viewers to appreciate the art in a new medium, but that it would also inspire "people to dream and create" and "continue to contribute to the evolution of culture and the world around them."

Ms. Chao? You had me at 'color-changing sapphires'.

And if you're hunkering for more Smithsonian sparkle, they just launched a branded jewelry line with QVC based on many of the pieces in their treasure chest. Check out Jewelry.com for more.

Brooch Diplomacy - Madeleine Albright Communicates with Jewelry

If Michelle Obama is ushering in a new era of power brooch diplomacy, she wouldn’t be the first. Former Secretary of State Madeleine Albright, a tenacious negotiator, loved to communicate her mood and intentions through her brooches, and now the Museum of Arts & Design in New York will exhibit 200 of her favorites.

Albright "found that what she wore and how she presented herself had a lot of interpretive meaning to those she was with," said Holly Hotchner, the museum's director. "The pins became an added way that she communicated as secretary of state."

"Read My Pins: The Madeleine Albright Collection," scheduled to open today, comes 10 years after the museum presented "Brooching It Diplomatically," a show of pins created by contemporary artists inspired by the ones Albright wore.

"She started acquiring pins because of their inherent messages, their whimsical and pictorial quality," said David Revere McFadden, the museum's chief curator. "It's not about jewels and gems, it's about jewelry as a communication device."

The collection is diverse, ranging from Americana styles — including flags and eagles — to ones with flora, fauna and insect themes. She always brought a selection with her on her travels so she could be ready for any situation.

For instance, Albright chose to wear a bee pinwhenever she felt talks amounted to "something like a sting," McFadden said.

"It's a very gentle way of saying to whomever she is speaking to: 'Listen carefully because I'm kind of telling you where I think this conversation is going,"' he said.

When she thought negotiations would likely go well, she would wear a balloon pin. Another pin, made of stainless steel, shows the head of Lady Liberty with two watch faces for eyes, one of which is upside down. The pin allows both her and others to check the time.

I wonder how many times Albright said the word ‘pinhead’ during the Bush administration?

The exhibition, running from Sept. 30 though Jan. 31, 2010, will be accompanied by a book, "Read My Pins: Stories from a Diplomat's Jewel Box," written by Albright.

Brooch Diplomacy - Michelle and Madeleine Communicate with Jewelry

If Michelle Obama is ushering in a new era of power brooch diplomacy, she wouldn’t be the first. Former Secretary of State Madeleine Albright, a tenacious negotiator, loved to communicate her mood and intentions through her brooches, and now the Museum of Arts & Design in New York will exhibit 200 of her favorites.

Albright "found that what she wore and how she presented herself had a lot of interpretive meaning to those she was with," said Holly Hotchner, the museum's director. "The pins became an added way that she communicated as secretary of state."

"Read My Pins: The Madeleine Albright Collection," scheduled to open in September, comes 10 years after the museum presented "Brooching It Diplomatically," a show of pins created by contemporary artists inspired by the ones Albright wore.

"She started acquiring pins because of their inherent messages, their whimsical and pictorial quality," said David Revere McFadden, the museum's chief curator. "It's not about jewels and gems, it's about jewelry as a communication device."

The collection is diverse, ranging from Americana styles — including flags and eagles — to ones with flora, fauna and insect themes. She always brought a selection with her on her travels so she could be ready for any situation.

For instance, Albright chose to wear a bee pin whenever she felt talks amounted to "something like a sting," McFadden said.

"It's a very gentle way of saying to whomever she is speaking to: 'Listen carefully because I'm kind of telling you where I think this conversation is going,"' he said.

When she thought negotiations would likely go well, she would wear a balloon pin. Another pin, made of stainless steel, shows the head of Lady Liberty with two watch faces for eyes, one of which is upside down. The pin allows both her and others to check the time.

I wonder how many times Albright said the word ‘pinhead’ during the Bush administration?

The exhibition, running from Sept. 30 though Jan. 31, 2010, will be accompanied by a book, "Read My Pins: Stories from a Diplomat's Jewel Box," written by Albright.